Sphere is probably one of my favorite audio books. I first listened to it when I was only 12 years old and going through somewhat of a Michael Crichton phase, even though up to that point I’d only experienced his books through abridged audio titles. I’d tried to read the actual books before, but my appreciation was tainted by the movie adaptations of Crichton’s books. When reading Jurassic Park I kept waiting for the velociraptior to jump out and gut somebody within the first 30 pages, or at least some indication that I was going to eventually see the nasty one sided dinosaur human face offs the movie was famous for. However Crichton fancied himself an educator more so than a thriller writer, with the books serving as mere platforms for him to advance his ideas. That’s why The Lost World begins with a chapter on the K-T Boundary that goes on for like 40 pages before the first chapter which is entitled the Lost World Hypothesis.
All of this scientific rambling is supposed to add credibility to the plot and make the books seem deeper than they really are, but if you strip away this dense layer that is found in all of Crichton’s work you’ll find that he uses the same plot over an over: a group of scientists, mathematicians, PhD’s etc go explore some new or unexplained phenomenon that has a chance to benefit society, but ultimately this force turns destructive and kills nearly every one of the main characters, leaving those who remain to take home the book’s message that man can’t control nature. The Crichton audio books are great because they get rid of al the jargon and theory and leave in the action sequences.
Sphere and Jurassic Park were produced by Random House in the 80’s and both feature a 30 second classical music intro with opera singers belting out a da ta da ta da ta da” melody in descending octaves. A xylophone and strings then join the party as the book’s title is being introduced. This intro, referred to as the AudioBooks Signature on the box, was composed by Scott Killian and is likely featured on all Random House titles from the decade. From what I can gather the tune faded out sometime in the mid 90’s, as it isn’t featured on the audio version of the sequel to Jurassic Park, The Lost World. Edward Asner uses a specific voice for each character in the book and does an especially good impression of the military man Captain Hal Barnes who is leading a group of mathematicians and scientists to explore a spaceship that has appeared on the ocean floor. Soon the team is trying to decode alien messages and fight a giant squid. The abridgment gives the listener just enough character development to where you aren’t surprised by later events, but they did leave out the death of one important character. Each squid encounter and other important turns in the story is augmented by creepy, synthesizer music that seems out of place at times and can also seem excessive if you listen to the book for long periods, but it quickly establish the book’s atmosphere and tone given its abridged length. The music along with Asner’s narration transforms a mediocre book into a 3 hour thrill ride. The audio book is no longer in print but is available for download at audible.com and is probably collecting dust at your local library. If you come across it check it out, but it’s far from an essential audio book.
